Catalog (785)

Toshi Yoshida (1911-1995)
Cherry Blossoms by the Gate
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1951. Pencil-signed first edition.
Medium: Japanese woodblock print.
Condition. Excellent. Upper left margin corner bend.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints. The collector's notes will be included.

Tsuchiya Koitsu
Asakusa Kinryusan, 1938
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog TK-DH-51.
Medium: Japanese woodblock print.
Condition: Left margin has two tears that do not impinge on image.

Tsuchiya Koitsu
Eagle
Size: Mitsugiri-ban. 15.25 x 7.75 inches.
Date: 1930s.
Publisher: Doi Hangaten. Bears the Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-074.
Medium: Japanese woodblock print.
Condition: Excellent. One clear piece of tape at top back margin.

Tsuchiya Koitsu
Edogawa (Edo River)
Date: 1930s.
Size: Chuban. Approximately 10.5 x 7.75 inches.
Publisher: Takemura Hideo. Seals on front and back.
Sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-68
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Konjikido Hall (Golden Hall), Chusonji Temple
Publisher: Takemura Hideo. Takemura seal at left.
Date: 1930s.
Size: 5.5 x 3.75 inches.
Koitsu catalog no.: TK-TM-139.
Medium: Japanese woodblock print.
Condition: Hole in tree near upper right margin.
Note: Similar to a Hasui scene of this temple.

Tsuchiya Koitsu
Kyoto Kitano
Size: 5.625 x 3.625 inches.
Publisher: Takemura Hideo. Takemura seal at lower left.
Date: 1930s.
Koitsu's Shinsei seal at lower right.
Koitsu catalog no.: TK-TM-120.
Medium: Japanese woodblock print.
Condition: Rough left margin.
Note: Unlike the catalog example, this one is titled in the image.

Tsuchiya Koitsu
Kyoto Kiyomizu Temple
Publisher: Takemura Hideo. Round Takemura seal.
Date: 1930-40s.
Size: 5.5 x 3.5 inches.
Titled and sealed by the artist.
Reference: TK-TM-140.
Medium: Japanese woodblock print.
Condition: Excellent

Tsuchiya Koitsu
Kyoto Maruyama Park
Publisher: Takemura Hideo. Square Takemura seal.
Date: 1930-40s.
Size: 5.5 x 3.5 inches.
Titled and sealed by the artist.
Reference: TK-TM-130.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu (1870 - 1949)
Lake Kawaguchi
Date: 1933.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermarked paper.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-1963 edition.
Reference: Koitsu catalog TK-DH-6.
Medium: Japanese woodblock print.
Condition: Short dash mark in right sky. Very slight creasing at upper right.
Notes: This spectacular Fuji view features embossed clouds. Title...

Tsuchiya Koitsu
Lake Yamanaka
Date: 1939.
Size: Oban. 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark upper right corner.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-62 edition.
Koitsu catalog no. TK-DH-54.
Condition: Slight fading. Very light creasing.

Tsuchiya Koitsu
Mandarin Ducks
Date: 1930s.
Size: Mitsugiri-ban. Approximately 15.75 x 7.5 inches.
Publisher: Doi Hangaten.
Reference: Koitsu catalog no. TK-DH-76.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue.
Note: An usual subject for Koitsu.

Tsuchiya Koitsu
Nara Kofukuji
Date: 1937.
Size: Oban. Approximately 17.0 x 11.5 inches.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Bears the Doi watermark.
Artist's signature and seal at lower right.
This indicates an early postwar edition.
Reference: Koitsu catalog TK-DH-44.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Owl
Size: Mitsugiri-ban. Approximately 15.25 by 7.5 inches.
Date: 1930s. This edition ca. 1960s.
Publisher: Doi.
Reference: Koitsu catalog No. TK-DH-75-V1.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Morning Rain at Lake Hakone
Date: 1938.
Size: Oban. Approximately 16.5 x 11.0 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada.
This combination of seals indicates an early postwar edition. Also bears the Doi watermark.
Condition: A couple of faint foxing spots in water.

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

Tsuchiya Koitsu
Sparrows
Publisher: Doi. Issued by Odawara Shoten.
Date: 1940. This edition likely post-2000.
Print size: Koban. 8 x 5.75 inches.
Koitsu catalog no.: Similar to TK-DH-90.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Yotsuya
Publisher: Doi Hangaten (Doi seal).
Date: 1930s-1950s.
Print size: Approximately 3.75 x 2.5 inches.
Koitsu catalog no.: TK-DH-205.
Woodblock print tipped along top edge to original, unused 5 x 3 inch holiday card.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Four Small Woodblock Prints
Titles: Kiyomizu Temple, Arashiyama, Kawaguchi Lake, and Kintai Bridge in Iwaki
Date: 1940s-50s.
Size: Approximately 3.5 x 2.25 inches.
Publisher: Shobido Tanaka.
Koitsu catalog nos. TK-SB-50, TK-SB-51, TK-SB-52, TK-SB-53.
These woodblock prints are tipped at the top edge to the covers of blank bridge tallies.
Condition: Excellent.

Tsuchiya Koitsu
Asakusa Temple (Sensoji) Main Gate
Publisher: Takemura Hideo. Round Takemura seal lower right.
Date: 1930s.
Size: 5.5 x 3.625 inches.
Title and Koitsu's Kiyoshi seal at left.
Koitsu catalog no.: TK-TM-136.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsukioka Kogyo (1869-1927)
Ships in Harbor
Date: 1900 or earlier.
Size: Shikishiban. 9.75 x 9.25 inches.
Publisher: Matsuki Heikichi (Daikokuya).
Signed.
Edition: First/early.
Provenance: Purchased from family who acquired in Japan on a 1900 world tour.
Woodblock print is adhered to board.
Condition: Edge toning. Minor marks.

Uehara Konen (1878-1940)
Pagoda and Moon
Size: 5.0 x 3.25 inches. 12.8 x 8.4 cm.
ca. 1910.
Published by Kobayashi Bunshichi. The publisher's shop and many works did not survive the 1923 earthquake.
Artist's seal lower right.
Publisher's seal right.
Cartouche with number 262 in Japanese at right.
Medium: Japanese woodblock print.
Condition. Ink dot in tree.

Urushibara Mokuchu (Yoshijiro) (1888-1953)
Horse (Facing Upward)
Date: ca. 1940s.
Size: Oban. Approximately 14.75 x 10.75 inches.
Signed "Y. Urushibara" in pencil.
Sealed "Mokuchu".
Round watermark at top margin.
Medium: Japanese woodblock print.
Condition: Excellent.
Removed from original folder.

Utagawa Fusatane
An evening scene from the Snow, Moon, Flower series
Date: ca. 1850s-60s.
Size: 11.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Two punch holes from original folio. Thinned area from wormhole at upper left.

Kitagawa Utamaro (1750s-1806)
The right panel of the triptych, Twelve Courtesans of the Ogiya (Brothel) on Display
Date: 1806, 6th month.
Size: Visible image: 15 x 10 inches. Board size: 16 x 11.75 inches.
Publisher: Omiya Gonkuro
Signed: Utamaro hitsu.
Censor's seal: Kiwame
Catalog references: Ukiyo-e shûka 3 (1978), list #316.1-3; Ukiyo-e shûka 12 (1980), pls. 192-4; Shibui, Ukiyo-e zuten Utamaro (1964), 20.3.1-3.
Medium: Japanese woodblock print.
...

Utagawa Kuniyasu
The actor Bando Mitsugoro
Date: ca 1820
Size: Oban: 15.5 x 10.5 inches.
Publisher: Wakasaya Yoichi (1813-1832)
Censor: Kiwame (seal 1790-1832)
Medium: Japanese woodblock print.
Condition: Margin edge notch. Tape at top back edge. Two wormholes (see photo #4).
Note: This is the only example of this design that we could locate.

Watanabe Seitei (1851-1918)
Winter Landscape
Date: Early twentieth century.
Publisher: Matsuki Heikichi / Daikokuya.
Sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
The print has backing paper attached at the left and right edges only.
Condition: Very good with left edge vertical crease corresponding to the location where backing paper is attached.

William Seltzer Rice (1873-1963) Italian Boat
Date: Likely 1913-1915.
Paper size 7.75 x 5.5 inches.
Print size: 4.75 x 3.875 inches.
Signed and titled in pencil.
Medium: Woodblock print.
Condition: Lightly foxed, primarily outside the image area. Margin blanks (see additional photos for full margins). Tape on verso.
Note: We could find no other reference to this title by the California artist and believe that this could be the only known color example. Howeve...

Ohara Koson (?)
Three Birds (Gallinules) (Matsumoto catalog name)
Size: Approximately 14.4 x 9.0 cm. 5.75 x 3.625 inches.
Date: ca. 1910.
Sealed "Yamagishi," which may be the carver Kazue Yamagishi (1891-1984).
Publisher: Matsumoto (no. 420)
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design. Not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland) but similar to the artist's gallinule...

Artist: Yamamoto (seal)
Gotemba in Snow
Bears artist's seal.
Publisher: Takemura Hideo. Bears round Takemura seal.
Date: 1930s. Collected after WWII but very likely from Takemura's pre-war stock.
Size: 5.5 x 3.5 inches.
Tipped at top to original greeting card.
Condition: Print is very good. Card is discolored.

Yoshimoto Gesso
Blue Bird on Plum Branch
Date: 1930s.
Print size: Approximately 9.625 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Point-sized dot in sky.

Yoshimoto Gesso
Cherry Blossoms
Date: 1930s.
Print size: Approximately 10 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso)
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Yoshimoto Gesso
Figure at Temple
Date: 1930s.
Print size: Tanzaku. Approximately 13.25 x 3.125 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso)
Artist's seal at lower right.
Reference: No. 1591.
"Made in Japan" stamped on verso.
Woodblock print is attached along its top edge to original card.
Medium: Japanese woodblock print.
Condition: Excellent.

Yoshimoto Gesso
Sparrows and Red Flower
Date: 1930s.
Print size: Approximately 9.75 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Weissaster (White Aster) Translated by Karl Florenz (German language).
Date: 1897. This edition 1904 with wrap around case.
Published by T Hasegawa, Tokyo (17 Shitaya, Kaminegishi).
96 pages including covers.
Size: 7.75 x 6.0 inches.
Artist: Arai Yoshimune and Mishima Shoso
These charming, profusely illustrated books consist entirely of woodblock prints on creped paper bound with ties and glue. Hasegawa employed some of the best woodblock print artists of the era - ...

Tsukioka Yoshitoshi (1839-1892)
Itsukushima Moon
No. 21 from the series "One Hundred Aspects of the Moon"
Date: 1886
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Very good. Invisible paper wear can be seen when held to back light.
- "A courtesan from the port town of Muro on the Seto Inland Sea drifts past the base of a hu...

Tsukioka Yoshitoshi (1839-1892)
Monkey-Music Moon
No. 92 from the series "One Hundred Aspects of the Moon"
Date: 1892.
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Spot in bottom margin.
- "Sarugaku (literally Monkey-music) involved acrobatics, juggling, and mime, combined with drum dancing." (Reference: AnnotationsÂÂÂ...

Tsukioka Yoshitoshi (1839-1892)
Takakura Moon
No. 36 from the series "One Hundred Aspects of the Moon"
Date: 1886.
Size: Oban. Approximately 14.75 x 10.25 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Enkatsu.
Condition: Slight creasing.
- Hasebe no Nobutsuru looks on as Prince Mochihito and his companion Munenobu flee from the Takakura mansion disguised in women's traveling costumes...

Tsukioka Yoshitoshi (1839-1892)
In the Moonlight Under the Trees a Beautiful Woman Comes (Getsumei Rinka Bijin Majiru)
No. 59 from the series "One Hundred Aspects of the Moon"
Date: 1888
Size: Oban. Approximately 14.5 x 10 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Publisher: Akiyama Buemon.
Carver: Yamamoto.
Condition: Some spots and creasing.
"The elegantly dressed Chinese woman represents the spirit of the plum ...

Yuichi Hasegawa (b. 1945)
Record of Wind Erosion (Red)
Japanese title: Fushoku-ki (Aka)
Date: 1989
Edition: 4/20
Signed in pencil by the artist.
Paper size: 24.25 x 12 inches. Image size: 20 x 8.75 inches.
Reference: Art Gallery of New South Wales.
Medium: Japanese woodblock print.
Condition: Excellent.

Andrew Kay Womrath (1869-1939)
Canal scene, Venice.
Paper size: Approximately 9.75 x 7.5 inches.
Artist's proof
Date:ca 1920s.
Medium: Japanese woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

Andrew Kay Womrath (1869-1939)
Cottage and lane at night (given title)
Paper size: Approximately 8.25 x 6.5 inches.
Edition: 3/14.
Date:ca 1920s.
Medium: Woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

Aoki Seiko (b. 1880)
Red Berries and Birds (aka. Waxwings)
Size: Approximately 9.75 x 4.75 inches. 24.9 x 12 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #368 tag on back.
Medium: Japanese woodblock print.
Condition: A conservator has repaired the top edge and corner.
- Rarely seen.
The Matsumoto catalog identifies the birds as kashidori, "a noisy, quarrelsome species of jay."

Arai Yoshimune
Pine Beach by Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s. Printed 1938-1960.
Size: Chuban. Approximately 11.0 x 8.0 inches.
Publisher: Nishinomiya Yosaku
Condition: Excellent with slight waviness at top margin.
- A rarely encountered night scene design.

Arai Yoshimune
Snow in Wakanoura Bay
Date 1930s.
Size: Chuban. 10.25 x 7.75 inches.
Sealed by the artist at lower left.
Publisher: Nishinomiya Yosaku. Seal at right margin and back
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Very faint foxing in sky. Back top corners have mounting residue.

Arai Yoshimune
Suma Beach
The figures carrying pails are making salt.
Date 1930s.
Size: Oban. 15.25 x 10.25 inches.
Unsigned.
Publisher: Nishinomiya Yosaku. Seal at left margin and back.
"Made in Japan" stamped on verso. Marked #103.
Medium: Japanese woodblock print.
Condition: Toning. Faint surface scuff on beach. Upper right margin corner crease. Back corners have mounting residue.

Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.

Arai Yoshimune
Fishing Village Under Snow
Date: ca. 1910.
Size: Chuban. Approximately 23.5 cm X 15.8 cm. 9.25 x 6.25 inches.
Artist's signature and seal at lower left.
Publisher: Matsumoto (No. 376).
Condition: Excellent. Light waviness in paper where the original publisher's tag is applied to the back.

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

Arai Yoshimune
View of Miyajima
Date: ca. 1910.
Size: Chuban. Approximately 23.2 cm 16.2 cm. 9.125 x 6.375 inches.
Artist's signature and seal at lower right.
Publisher: Matsumoto (No. 377).
Condition: Excellent. Very slight crease near top margin.

Charles W. Bartlett
Pearl of the Orient (Taj Mahal, Agra), 2nd Proof
Date: 1923-25
Size: Large version. 15.125 x 11.125 inches; 38.4 x 28.1 cm.
Sealed CWB by Bartlett. Signed and titled in pencil.
Medium: Etching, engraving, drypoint printed in blue ink hand-colored with watercolor.
Toning in margins. Slight foxing on the front. Back has foxing and adhesive residue.
Note: For more on this artist, see Darrel Karl's excellent and expansive blog, Eastern Impressio...

Charles W. Bartlett
Ushibuse (aka. Sleeping Buddah)
Date: 1916
Size: Oban. approximately 14.75 x 9.75.
Signed in red by Bartlett. Monogrammed and well-sealed.
Very good condition. On the verso, so thinning of paper in sky and top and bottom margin. A few small light brown spots.

Chiura Obata
Rainbow Falls, Inyo National Forest
Series: World Landscape Series - America.
Date: 1930.
Size: 17.5 by 13 inches.
Publisher: Takamizawa Color-Print Studio, Tokyo.
Medium: Woodblock print.
Condition: A conservator has reconstructed missing paper of the upper right corner margin. Other margin edge tears and losses repaired. Toned paper.

City in the Rain (after Hasui)
(A rare alternative perspective on "City in the Rain" by Kawase Hasui).
Artist: Not known.
Date: 1930s.
Size: 5.5 x 3.625 inches
Publisher: Takemura Hideo.
Medium: Japanese woodblock print.
Condition: Excellent with very slight bend at upper right corner.

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

Cyrus leRoy Baldridge (1889-1977)
Peking Winter, 1925
Edition 194/200
Publisher: Watanabe Shozaburo. Size: Oban, approximately 15.25 x 10.25 inches.
Dedicated: "For John Happer" John Stewart Happer was a famous author on Japanese woodblock prints.
Condition: Five wormholes. Otherwise very good condition.

Eiichi Kotozuka
Night Scene of Kiyamachi Street
Date: 1950s
Size: 17.75 x 11.5 inches. Full margins shown in additional photos.
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower right.
Full margins (Shown in enlargement 2).
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder. Lower margin slightly wavy.

Eijiro Kobayashi
Evening Cool on Sumida River.
Series: Hasegawa Night Scenes.
Date: 1910s-1938. Early edition.
Eijiro seal at lower right.
Size: Approximately 9.75 x 7.125 inches.
Publisher: Hasegawa Takejiro.
Reference: No. 1244 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Eijiro Kobayashi
Evening Cool on Sumida River. Sepia version.
Series: Hasegawa Night Scenes.
Date: 1938-1960.
Eijiro seal at lower right.
Size: Approximately 9.75 x 7.25 inches.
Publisher: Nishinomiya Yosaku. No. 1244 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Attributed to Eijiro Kobayashi
High Bridge at Night (Inspired by James Whistler's "Nocturne")
Date: This edition 1938-60.
Size: Approximately 10 x 7.5 inches.
Publisher: Nishinomiya Yosaku.
"Made in Japan" stamped on verso.
Marginless as originally issued.
Medium: Japanese woodblock print.
Condition: Excellent. A few small surface scuffs.
After "Nocturne in Blue and Gold; Old Battersea Bridge" by James Whistler

Elizabeth Keith (1887-1956)
Chinese Matriarch, Soochow
Date: 1934.
Sheet size: 17.625 x 13.625 inches. Image size: 13.25 x 11.75 inches.
Publisher: Watanabe Shozaburo.
Signed and titled in pencil by the artist.
Medium: Colored etching.
Provenance: Henry McBride collection.
Condition: Upper right corner margin crease. Tape at top back margin.
Notes: Richard Miles opined that this is one of Keith's greatest images and noted that the etching was produced...