Catalog (525)

Andrew Kay Womrath (1869-1939)
Cottage and lane at night (given title)
Paper size: Approximately 8.25 x 6.5 inches.
Edition: 3/14.
Date:ca 1920s.
Medium: Woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

Arai Yoshimune
Pine Beach by Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s. Printed 1938-1960.
Size: Chuban. Approximately 11.0 x 8.0 inches.
Publisher: Nishinomiya Yosaku
Condition: Excellent with slight waviness at top margin.
- A rarely encountered night scene design.

Arai Yoshimune
Snow in Wakanoura Bay
Date 1930s.
Size: Chuban. 10.25 x 7.75 inches.
Sealed by the artist at lower left.
Publisher: Nishinomiya Yosaku. Seal at right margin and back
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Very faint foxing in sky. Back top corners have mounting residue.

Arai Yoshimune
Suma Beach
The figures carrying pails are making salt.
Date 1930s.
Size: Oban. 15.25 x 10.25 inches.
Unsigned.
Publisher: Nishinomiya Yosaku. Seal at left margin and back.
"Made in Japan" stamped on verso. Marked #103.
Medium: Japanese woodblock print.
Condition: Toning. Faint surface scuff on beach. Upper right margin corner crease. Back corners have mounting residue.

Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.

Arai Yoshimune
Fishing Village Under Snow
Date: ca. 1910.
Size: Chuban. Approximately 23.5 cm X 15.8 cm. 9.25 x 6.25 inches.
Artist's signature and seal at lower left.
Publisher: Matsumoto (No. 376).
Condition: Excellent. Light waviness in paper where the original publisher's tag is applied to the back.

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

Arai Yoshimune
View of Miyajima
Date: ca. 1910.
Size: Chuban. Approximately 23.2 cm 16.2 cm. 9.125 x 6.375 inches.
Artist's signature and seal at lower right.
Publisher: Matsumoto (No. 377).
Condition: Excellent. Very slight crease near top margin.

Charles W. Bartlett
Pearl of the Orient (Taj Mahal, Agra), 2nd Proof
Date: 1923-25
Size: Large version. 15.125 x 11.125 inches; 38.4 x 28.1 cm.
Sealed CWB by Bartlett. Signed and titled in pencil.
Medium: Etching, engraving, drypoint printed in blue ink hand-colored with watercolor.
Toning in margins. Slight foxing on the front. Back has foxing and adhesive residue.
Note: For more on this artist, see Darrel Karl's excellent and expansive blog, Eastern Impressio...

Charles W. Bartlett
Ushibuse (aka. Sleeping Buddah)
Date: 1916
Size: Oban. approximately 14.75 x 9.75.
Signed in red by Bartlett. Monogrammed and well-sealed.
Very good condition. On the verso, so thinning of paper in sky and top and bottom margin. A few small light brown spots.

Chiura Obata
Rainbow Falls, Inyo National Forest
Series: World Landscape Series - America.
Date: 1930.
Size: 17.5 by 13 inches.
Publisher: Takamizawa Color-Print Studio, Tokyo.
Medium: Woodblock print.
Condition: A conservator has reconstructed missing paper of the upper right corner margin. Other margin edge tears and losses repaired. Toned paper.

Cyrus leRoy Baldridge (1889-1977)
Peking Winter, 1925
Edition 194/200
Publisher: Watanabe Shozaburo. Size: Oban, approximately 15.25 x 10.25 inches.
Dedicated: "For John Happer" John Stewart Happer was a famous author on Japanese woodblock prints.
Condition: Five wormholes. Otherwise very good condition.

Eiichi Kotozuka
Night Scene of Kiyamachi Street
Date: 1950s
Size: 17.75 x 11.5 inches. Full margins shown in additional photos.
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower right.
Full margins (Shown in enlargement 2).
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder. Lower margin slightly wavy.

Eijiro Kobayashi
Evening Cool on Sumida River.
Series: Hasegawa Night Scenes.
Date: 1910s-1938. Early edition.
Eijiro seal at lower right.
Size: Approximately 9.75 x 7.125 inches.
Publisher: Hasegawa Takejiro.
Reference: No. 1244 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Eijiro Kobayashi
Evening Cool on Sumida River. Sepia version.
Series: Hasegawa Night Scenes.
Date: 1938-1960.
Eijiro seal at lower right.
Size: Approximately 9.75 x 7.25 inches.
Publisher: Nishinomiya Yosaku. No. 1244 in Hasegawa catalog.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Attributed to Eijiro Kobayashi
High Bridge at Night (Inspired by James Whistler's "Nocturne")
Date: This edition 1938-60.
Size: Approximately 10 x 7.5 inches.
Publisher: Nishinomiya Yosaku.
"Made in Japan" stamped on verso.
Marginless as originally issued.
Medium: Japanese woodblock print.
Condition: Excellent. A few small surface scuffs.
After "Nocturne in Blue and Gold; Old Battersea Bridge" by James Whistler

Elizabeth Keith (1887-1956)
Chinese Matriarch, Soochow
Date: 1934.
Sheet size: 17.625 x 13.625 inches. Image size: 13.25 x 11.75 inches.
Publisher: Watanabe Shozaburo.
Signed and titled in pencil by the artist.
Medium: Colored etching.
Provenance: Henry McBride collection.
Condition: Upper right corner margin crease. Tape at top back margin.
Notes: Richard Miles opined that this is one of Keith's greatest images and noted that the etching was produced...

Elizabeth Keith (1887-1956)
Lama Priest, Peking
Date: 1922.
Signed in red pencil by the artist. Monogrammed and dated.
Size: Oban. 15.25 x 10.25 inches.
Condition: Very good. Pencil notes on back with tape pieces at back top corners.